Tokyo punk veteran Fink has always held fast to the raw, blown-out blitz that made his earlier groups (Teengenerate, Firestarter,...

Josephine Network has carved out her own wild corner of New York rock 'n' roll, a space where hook-filled glam drama, fuzz-drenched...

From the candlelit shadows of their 2019 demo cassette to the haunted pop reveries of 2022's debut LP Ghost Stories , New York City's...

Baltimore's own outliers Linda Smith and The Smashing Times crash together on a brand-new split 7" from London's Upset The Rhythm. Two sides, four cuts — Smith's sun-dappled keyboard reveries and The Times' jangly psychedelic daydreams — all sparked by friendship, road miles, and a shared obsession with pure pop delirium. It's bright, it's bold, it's now!  In a new interview, Linda Smith and The Times' bandleader Thee Jasmine Monk chat about the highs and lows of touring, wha

After cooking up Flour —his long-awaited second LP that slow-baked over several years in makeshift Brooklyn practice spaces—Nat Brower is...

Across their debut album  Last Laugh   (DIG! Records), Melbourne's Loose Lips waste no time delivering ten tracks of late-night,...

Kathy Snax's new EP Shangri-La is a shimmering, synth-forward journey through emotional ambiguity, memory, and the elusive nature of...

Over the last decade, Jake Robertson has quietly built one of the most varied and compelling catalogs in underground music. Best known...

On their sophomore album Syndrome , Long Beach's Self Improvement confront the chaos of the present with their tightly wound, politically...

Larry Hardy is the founder and owner of In the Red Records (ITR). For the past 34 years, ITR has been one of the leading independent...

Larry Hardy (In The Red Records): Panther Phobia  is a release I’m particularly proud of. I’m abundantly aware that Tav doesn’t feel the...

Cincinnati's Artificial Go continues to craft wiry, Dadaist-fueled post-punk with bright tuneful art pop across their new album Musical...